INSTRUMENTATION - there are three options:
#1: tutti: solo bassoon, flute, clarinet, piano, harp, 2 percussion (crotales, vibraphone, marimba), violin, viola, cello
#2: tutti minus the harp: solo bassoon, flute, clarinet, piano, 2 percussion (crotales, vibraphone, marimba), violin, viola, cello
#3: tutti minus the percussion: solo bassoon, flute, clarinet, piano, harp, violin, viola, cello
[NOTE: Whichever version is played, the same full score and parts should be used, i.e., there are not 3 different scores and 3 different sets of parts.]
First performance of the Bassoon version by the Danish Chamber Players, Gunnar Eckhoff, solo bassoon, on 6 April 2014
Duration: 10 minutes
First performance of the Bass Clarinet Version by Orchestra Symphonique Region Centre-Val de Loire Tours, France Vincent Penot solo bass clarinet, conducted by Kanako Abe.
Part #2: SKY BLUE in a live performance by the Oberlin Contemporary Music Ensemble
This work is available on
Full Moon in the City
Commissioned by and dedicated with admiration and gratitude to The Danish Chamber Players and bassoon soloist Gunnar Eckhoff, Bassoon Concertino was premiered on April 6, 2014 in Copenhagen in Tivoli Concert Hall and has a duration of 10 minutes.
The work is in three parts (fast, slow, faster,) is based on beautiful works of art, and offers homages to three Danish composers:
Part #1: Paul Klee: ROPE DANCER: Homage to Hans Abrahamsen;
Part #2: Wassily Kandinsky: SKY BLUE: Homage to Bent Sørensen;
Part #3: Joan Miro: LADDERS CROSS THE BLUE SKY IN A WHEEL OF FIRE: Homage to Poul Ruders.
It is rare that we get to hear a work that showcases a bassoon player. This Concertino requires exceptional virtuosity of the soloist featuring playing of all kinds — rhythmic, athletic, punchy, lyrical, delicate, jazzy, whimsical, capricious, elegant — and celebrates the amazing artist and beautiful instrument in all its colors.
—Augusta Read Thomas
Rope Dancer (Paul Klee)
Sky Blue (Wassily Kandinsky)
Ladders Cross the Blue Sky in a Wheel of Fire (Joan Miro)
Roger Knox, The WholeNote Magazine in Toronto, Vol. 22 No. 1
"I found the Bassoon Concertino (2014) by Augusta Read omas (b.1964) especially clear and coherent in tonal language. It is based on three modernist paintings; the melding of tones and tone clusters in Part 2: Wassily Kandinsky: Sky Blue is particularly appealing."
To obtain examination or performance material for any of
Augusta Read Thomas's works, please contact G. Schirmer Inc..